we're on a mission from god wendy so i got that going darling looks like i picked the wrong way to quit sniffing blue light of my life we enjoy your films [Music] welcome to vintage video where we'll be reviewing every major film release of the 1980s in real time i'm patrick o'reilly i'm jesse bayless and i'm richard wells and today marks the 40th anniversary of the release of american gigolo on february 1st 1980. it was written and directed by paul schrader and released by paramount debbie harry's call me was written for this movie yeah i i was like wondering boy they sure are playing this song an awful lot yeah and various remixes of it over the course of the movie the entire score is derived from her song it was originally offered to christopher reeves and john travolta reeves was offered a million travolta was offered two million and both of them turned it down they eventually got richard gear for 35 000 uh plus back end percentage so depending on what the deal was well i i think i read too that travolta was signed on and they had suits made for him right and then when he when he left he's like i'm taking these suits with me yeah so he was gonna play the character and julie christie who wanted to do the movie with richard gere dropped out because she didn't want to work with john travolta and then when john travolta left the film they couldn't get her to come back when they got richard gere back so um so she stayed gone um she was gonna play obviously the michelle part and jessica lange and meryl streep also both turned down the michelle roll i could definitely see jessica lange i could see jessica when you're doing it i don't think i don't think it's a meryl streep role really but very weirdly so this is a list of other people that were considered for julian chevy chase harrison ford what shall we chase yeah chevy chase was one of them this is clearly not a comedy not only that but he has three movies already this year so his schedule was screwed anyway um but harrison ford who i don't feel like is right for it either especially like exactly between star wars and indiana jones mel gibson who i could see maybe pulling it off this was like around the time of mad max coming out so yeah he was he was really young at that point so yeah and then arnold schwarzenegger and sylvester stallone were both considered i don't know if they were ever actually approached with it yeah no i actually think stallone is the only person i can picture in this role see like honestly i feel like richard gere out of all those people is the best no i think gear is the best but but of these five i think stallone is the only one that would would feel right for the character um the budget for the entire film was 5.5 million and uh as recently as 2016 uh jerry bruckheimer was discussing plans to adapt it for showtime as a series with neil labute writing who i really like nail a butte but um i don't think it ever happened it was a 5.5 million budget and they were going to give two of that well i think the budget changed when they took travolt out of it okay because gear wasn't as big a name and al also when you lose julie christie or meryl streep then you're not it's not going to be the same thing who's julie christie uh she was in dr zhivago um she was in that uh uh what's her name the uh sally salt uh the away away from her or something like that the movie about the the woman with alzheimer's yeah when he said sally salt my brain just went to sarah paulie and sarah paulie that's exactly what i'm saying sarah paulie directed it oh okay yeah no that i was referencing adventures okay okay i just wanted to be sure i thought though she is also a film director in her own right of course um i think it's called away from her okay and it's about alzheimer's and she's like it's about an elderly couple and uh she plays the the wife um but she's great she has an oscar but i forget what for um darling maybe never heard of it but yeah we we get the call me song right in the very first shot we're like basically jumping into a music video for call me um as he's just driving around and he goes to visit annie who is essentially his pimp a former pimp i i get the feeling like he he's kind of semi-independent but does a lot of favors for people yeah but then later on she acts like she's like offended that he worked with anyone else like right like she's supposed to have exclusive rights to him but their deal seems to be a 50 50 split but she's trying to change the percentage and she's like no no that's not gonna happen but she has some like super rich person coming in later in the week and he needs to learn swedish so that he can talk to this person uh i have to say uh sorry just like taking a step back to the opening credits yeah i i have such a hard time now reading cursive because i haven't actually had the recursive one of the names i forget the uh what was her name nina van palant i almost couldn't even read it yeah and it's like it's almost like a disney-esque kind of cursive well yeah it's not like it's actual cursive it's like a cursive font so it's just a special well it wasn't it wasn't even necessarily a font because it was animating like it was being signed on the screen yeah so it's like it wasn't just fading in so that was making it even harder because it's like you don't have the whole name to start with and it's also black text with a white outline versus white text with a black outline which is a little bit easier to read yeah uh and i was like i can't i can't read any of these i don't know any of these i don't know how any of these people approved these credits where you can't read who they are yeah but i was surprised to see bruckheimer in there yeah i wish you right that's like that's like my second note i was like brockheimer question mark yeah because it does not feel like um one of his movies because they're all typically like not as cerebral like action type stuff yeah what was he making at this time uh well because like uh beverly hills cop would be like a couple years later i was 84 yeah and that's which is funny because it came out the same year's ghostbusters and eddie murphy was gonna play winston and he turned it down and ghostbusters went on to be the second highest grossing movie of the year but he turned it down for beverly hills cop was the highest grossing movie right there so it's like okay well good choice i guess but yeah so he's uh he meets with anne and he tells her he wants to change the deal and she says no no it's 50 50 and keep practicing your swedish and you're going to meet this woman you're going to pick her up from the airport or something and then he gets a call from leon who is a friend of his who needs a substitute well he's not he's not just a friend he is he's a former i don't know if he's a former pimp but he's someone else he's gotten work through yeah yeah back when he was i think more exclusively to the male yeah crowd which he is not uh that's not his his specialty at this point he's correct he seems to be exclusively going for older women specifically like wealthy older women um and he's made it very clear to leon that he he's not looking for gay customers anymore and he's exclusively women at this point but he says hey somebody canceled on me and i need you to fill in and it's up sorry i need you to fill in but he needs to like drive all the way up to palm springs which is also like way out of his right right his territory jurisdiction right okay so jerry brookheimer yes uh this is the first movie on the list that i've even heard of of his uh looks like he started producing in 75. uh i i've never heard of defiance but that was the same year so that's heard of the remake wait is defiance the one that they remade with jody foster um about that definitely who gets attacked or is that the one with uh james bond in the woods yeah that's james bonds in the woods but that's like even i don't know if that's i don't think that's related no i don't think this has anything to do with that um but then uh so this was like this so this was his first big movie oh okay and then uh i mean he he had he had a couple more but i i hadn't heard of any of these um but then he did a flash dance in 83. okay uh beverly hills cop in 84 top gun in 86 uh days of thunder that was when he started working with tom scott yeah don simpson he also did a movie called cat people oh yeah that's that's a remake of uh an old movie and paul schrader who directed this movie directed cat people oh did he really yeah but uh i was i i have heard of cat people this this one here from 82 but i always confuse it with uh stephen king's sleepwalkers which also has cat people but like more literal like anthropomorphic cat people um ann has another client uh mrs dobran who needs to be picked up tonight um and he poses basically as a chauffeur and takes her to her room and then he's like oh can i open your champagne and she's like uh you're gonna get a tip you don't have to open he's like no no that's not that's not what i was doing like i just wanted to have a drink with you and then she catches on like oh she hired you for this so this was a little confusing to me because like i figured that most of the clientele would know what they've ordered i think she knew that she had this coming but she didn't realize that it was the same person as her chauffeur i think that's the implication is that she's she assumed these would be two different jobs that she that people would be hired for and she wasn't expecting her chauffeur to also beat the gigolo that she was getting okay but then she's like oh well let's go to a fancy restaurant where all the celebrities hang out and so he's like all right well we can go here here or here and just throws out some random choices and then he takes her to the restaurant we don't see any of their date together but he basically calls up anne after the date and says oh we're gonna meet again tomorrow afternoon and then he hangs out at the bar to like try and find and then at class yeah and he's like checking out all the the booths and and there's like one that has three older ladies in it that are clearly checking them out like kind of like uber lyft when you're just kind of you know strolling around town is the light on or off when you're looking for a ride i don't know well that doesn't work like that with ride chair you use the nap yeah but i thought the light still meant something it doesn't mean something it if it's red it means you stop i think it means you're you're active and working okay but yeah so he sees a woman by herself that uh is she ordering in french or why does he assume that she doesn't speak english right off the bat um yeah i think she she she makes some or she orders something in french and he goes and starts speaking french to her but because he assumes that she's like a tourist and that he can chat her up in her language and impress her right and talk her into a business deal is this before or after the ryman the rhymes before this is this is before okay so um he sits down at the table with her and they chat for a while and then she meant she starts speaking in english and he's like oh i thought you were uh french right disappointed that she's not because because it just means that like oh she's like she's not as easy a mark as he thought he was gonna have um and she mentions that her husband's in politics and she doesn't get enough attention from him and he's like all right bye like this is not what i thought it was so i'll talk to you later because she immediately picks up on the fact that he's a gigolo and it's like already trying to like very like bluntly ask for his services and he's like no no that's not how this works but i don't know why he's turning her down though is because he does it for love no no no oh no he does it for money why is it in these richard your movies with prostitutes that everyone's doing it for love instead of money uh i imagine it's because she might be potentially high profile like if something if so assume she was nobody and it turned out she's someone very important yeah like if he's seen with her it you know if he could be seen with random women yeah um but yeah so the the next day he drives up to palm springs the following the following afternoon um and it takes him all day to get from beverly hills to palm springs which you know if it's a weekday it could um but and there's like he's on dirt roads and stuff driving through farmland yeah there's none of that between beverly hills and palm springs yeah because this was this was 1980 though yeah but between beverly hills and the freeway there's not farm even though i don't know the valley wasn't wasn't all well he could have just taken the one-on-one straight to the five i don't know either way i think it was just to give something to look at while he's driving yeah um he gets to the customer's house and a guy answers the door and he's already pissed off it leon like okay i said no guy stuff so and no couples right that's also a rule was that a rule that he said with leon beforehand um i don't know if that was the rule he established with leon but he made it clear to the guys like i don't do couples yeah and the guy was like it's okay i'm just gonna watch yeah yeah and he's like yeah that's fine yeah [Laughter] these puns are going to be amazing so he he walks him into the bedroom where his wife is like naked under the sheets on the bed and he just gets to work starts grabbing her and still works the guy's like talking him through it like step by step like no turn turn her around no you have to be on this side now move over here it's kind of like that scene in true lies only he's being horrible yeah it's more like the scene in uh american psycho when he's telling the two prostitutes what to do to each other um but then he tells her or he tells uh julian to smack his wife and then we'd cut out of the scene that's the last thing we see there um so the next day uh he meets leon at some outdoor restaurant and gives him his cut of the rate for that um that visit and uh when he gets home michelle just shows up at his house well he but he gets mad at leon here he does because he was like you know i told you i told you i don't do yeah i don't do couples well he said yeah was it like a dirty trick or something like that yeah he says that that he he was a rough yeah rough trip yeah um and he's like look yeah i didn't know what was gonna happen and we needed a sub at the last second but you got your money and we're we're done here it was supposed to be a lot like i think relative to his other gigs right but he was still splitting at 50 50. um but yeah so uh he gets he gives leon his cut and goes home and michelle shows up at the house apparently she's been following him since he left the restaurant or at least long enough to figure out where he lives well that's super creepy because you know like she knocks on his door and you know he's like how do you find me and and she's like oh it wasn't hard and then they like move on with the conversation and be like no no no no no no like hang on i changed my mind i actually do care yeah go over those details um and then they sleep together with that with very little uh on the way to that it's just they have a bit of a flirtatious conversation next to a bookshelf and then suddenly they they're in bed together well she wanted to engage his services there so like this was still a professional transaction he's a very pushy customer yeah no yeah i think you're right that the implication of that he's still getting paid for this interaction yeah well she and and she uses the f word quite a lot to describe it and it seems like it really bothers him yeah like he's like whoa this is a little vulgar how dare you kiss your mother with that mouth anyway last night i was slapping this lady around at my husband's request uh and i like the next morning that he's just like having phone sex with another client while she's there in the bed with him when he orders breakfast it's so it because it's a matter of fact let me put my client on hold while i order you breakfast go back to my conversation um but yeah so and the next day he goes to like a pre-auction viewing with mrs sloan and uh he's basically flirting with this woman over stuff that's going to go up for auction that night and uh they bump into mrs lautner who is played by uh by francis bergen um and she it seems like he mrs sloane doesn't want mrs lautner to know that he's a gigolo and that she has engaged his services for this like well yeah i mean it becomes clear clear later that like she she doesn't want her husband to know about this relationship that she has so i think she's keeping it private overall to everyone right but later on he is a gigolo for mrs lotner so it's like either she just straight up told her yeah that i hired that guy that was with me because he's on a date with that other woman is he okay later i guess i missed that later in the film but yeah so he's with mrs sloane um and they bump into mrs lautner and talk for a while but yeah so the next day he's sitting out in his front yard and he reads that uh the ryman woman has been murdered and so this isn't this is the morning after the murder but he was with them the previous night he wasn't there the night that she was murdered he was there the night before she was murdered okay i don't yeah so i'm totally not following this so he so he he goes out with the old lady and then which old lady because they're all old the the one here what'd you show ford for and then he met yes he met uh michelle michelle the same guy those two were on the that's the same night and the next day he goes to the ryman house and slaps that woman around that's the only thing he does that's the only thing he does that night the next day he goes to the auction house yes that's the night that the woman gets murdered okay we don't see it but he went home with mrs sloane after the auction house and stayed with her the whole night i thought he stayed with michelle that night no he did okay so wait is that the is that the woman he pretends to be like the gay decorator with yes okay so he went home with her that night he went home with her that night okay then um the next day he is out in front of his house and he's reading that the woman was murdered and michelle walks up to him in in the courtyard in front of his building and they go inside and uh they have a conversation just about like she fills him in a little bit more about her situation with her husband and that she's still in town and she wants to continue this relationship um and then sunday enters and starts interrogating people first he's interrogating uh detective sunday is interrogating mr ryman because obviously that's who you talk to first right and he says well we had a gigolo at the house like he basically gets that much out of him because he's trying to make it clear that no i didn't do this and they're like well then it was someone else who had access to your house who else did you have around and he says we had this guy come in on monday night or whenever it would have been uh sunday goes to find julian and says where were you on tuesday and he says i was it with a friend at a pre-auction viewing which he was and he stayed with her the whole night right well he was reluctant to give her name though yeah he did give her name but he also said she's an important woman and she appreciates her privacy so let's keep this on the download basically so then that night after he talks with sunday is the night that he takes mrs lodner who the francis bergin character that he met at the auction to this probably thousand dollar plate dinner to see the senator speak and after they have their meal they actually get to do like a handshake meet and greet and when he goes to shake the senator's hand he realizes that michelle is the senator's wife and so when she said her husband was in politics she's literally a senator and not like a state senator but like a congressional senator i feel like she lied to him though because shouldn't she say he was a senator in new york and now they're here in california like seems she made it sound like he was in a different state i i think she just said that he was in new york but i don't know if that was to be implied that oh maybe she didn't because i think he is a californian yeah they yeah that's what i was gonna say it's like they he's supposed to be california's senator but i i thought she she was like saying that he was maybe she implied that either way he seems caught off guard by it i think is weird about this situation is that after sunday they they like go down to like a restaurant and have a talk very frank discussion about who he is and what he does yeah and uh he's not arresting him but he's letting him know that well he's not part of like the vice team he's with homicide right but he's letting him know that you're a person of interest don't leave town that kind of stuff yeah but he's still allowed to like kind of like come and go as he pleases to like the senator's wife knowing that he's being followed yeah and being investigated it's just like he they seem to they they're awful gracious with the amount of leeway that they get well i think they're waiting until they have something that they can actually hold him for because otherwise you're you're wasting your your habeas corpus window yeah julian basically catches michelle following him the next day but there's no payoff to that yeah in the weirdest possible way like she's like she's like strolling down the street in like sunglasses and a hat like and a couple times he turns around and looks at her dead on and she thinks like oh he still probably didn't see me and hides again yeah very weird like that that she thought she got away with that and that he never really called it out yeah it's just she's just following him they go into a record store and then he's like oh hey fancy meeting you here and she's like oh hi yeah i was just gonna get a record um do you want to have sex again yeah and then they do um and then uh julian is encountered by sunday while he's like being fitted for some clothes or something and he tells detective sunday to stop bothering his clients yeah because he's causing chronic he's getting a shoe shine right yeah but he's in like a dressing room um and sunday shows him some pictures of the scene of the murder to give him an idea of exactly what happened and he's obviously horrified by it um but then by the time julian gets home he finds out that the police have like gone through all of his stuff his landlady is like sorry they were here for two hours i tried to get a hold of you and but i couldn't stop them they had a warrant i couldn't stop them so they totally trashed his home um and we find out later that they did find something here yeah they found the handcuffs that she was bound with right see but this is again this is like what i'm talking about how gracious they are oh we found these handcuffs like so well they have mrs ryman's like blood is like did you find the jewels no way i'm finding the jewels and like richard gear's like even damn like like like it's so casual and and it wasn't when he says damn it's for the license plate yeah but when yeah he's like he's like yeah i read the paper i know that there was some jewels still in too if you didn't find the jewels then someone out there still has the jewels and whoever has them that's going to be the person you're looking for and that's where he's trying to convince that this is a frame-up and well the police may not be convinced they agree that it's better for him to be out there because then whoever's gonna frame him is gonna yeah they're more likely to catch him if they're yeah so um so julian goes to ann's house and tells her everything that happened and she's like well i heard that you went to leon and that's kind of your problem basically yeah um and uh and then he tells michelle everything because he just wants to get all the information out there forever right he's trying it's he's like a very lazy detective yeah he's trying to piece things together but he really is just giving information about it yeah um so uh he gets called in for a lineup because there was a witness that said that they saw him come up to the ryman house um and so he's in a line up with four other guys and he lies to one of the guys well i feel like that's a really so it's a strange thing when he when he tells the other guys in the lineup that he's getting paid for it like i don't understand what he he's trying to like elicit some sort of reaction from that he just wants to distract the person who's supposed to pick someone out of the lineup and draw attention away from himself because he did go there just not the night of the murder yeah so he's worried that this witness is going to pick him out of the lineup because he was there but he didn't do it so he's trying he just wants some guy to be making a scene yeah so after he he tells one of the other guys in the lineup oh what how much are you getting for this uh the drunk guy's getting 15. i'm getting 10. sounds like they're paying people different the wine was getting 20. you're kidding you ain't getting paid you're getting screwed [ __ ] what the [ __ ] is going on here is my lawyer apparently enough to distract the woman right because she didn't pick the right person well she she picked the right person but then she changed her mind a couple of times um but sunday doesn't tell them that when they first bring them in they're like so the witness was able to identify you and he's like that's impossible like how could they possibly identify me i wasn't there that night and he's like and then she switched to number one and then she switched to you and then like she lost track of what she was doing but we still you know we have these handcuffs that we found at your place and he says did you find the jewels and did the witness see a license plate he's like no she didn't get a license plate on the car and he's like damn and because he's really frustrated that someone is getting off the hook with this um although if i were him i would just be assuming that mr reiman did it because yeah well that's what i assumed the whole time so but everyone keeps saying oh he's got an alibis like can we know what this alibi is the audience needs to have this information i would like to to write him off as the potential suspect here i mean the they don't really imply they i mean they do sort of imply who's framing him but they never really say who actually did the murder right well they eventually they do but yeah and this scene it's still not covered but then um sunday says that you by the way you the woman you said you were with she says she wasn't with you on tuesday she says that you guys were at that auction but that you left early in the afternoon and the murder happened at 10 so there's plenty of time for you to get to the ryman house to commit this murder and so he's like well that's not true so he goes to her house right but she's not going to admit it right her husband's standing right there but her husband also knows what happened and he says you're lying and he says how do you he said i know you're lying and he said how do you know i'm lying if if it actually happened and he says because i was here with my wife the entire night because he's giving his wife an alibi to extract her from the situation yeah because he he knows what his wife did but he doesn't care enough to get her entangled in a murder investigation right so he's like no no we were here the whole time you figure out another alibi plus this is also spite against him for right sleeping with his wife is like you're there's no reason for me to do you any favors at this point um so uh now he's walking down the street again being followed by someone very poorly trailing him um but this guy's like he's like he thinks he's a pi but he's being very obvious because he's just like a senator's aide he's not actually he's probably an intern but i love that that the entire like interrogation of this guy occurs next to the warriors ad which is also a paramount yeah i was like oh this is very well framed i feel like that's in it's intentional too that there's like a diagonal line of sorry paint across it because they were like is this too much of a poster for our other movie to throw him up against let's just paint over it so that it looks at least like know it's been stuff goes it's just like what do we have the rights to what can we put in the background here i know this movie but i also feel like like warrior specifically is a poster that i would expect to see spray paint over on purpose like right because that's kind of the aesthetic of the whole movie um but he throws him up against his warriors poster and goes through the guy's wallet to find out that he works for senator stratton the guy that is michelle's husband of michelle and uh and he says look if stratton wants to talk to me he could just call me and he writes his phone number on the guy's head and then shoves him towards the sidewalk but clearly shoved the actor harder than he meant to well the guy almost eats it yeah the guy guy slips and falls down and it doesn't i mean it looks like it was unintentional and he legitimately fell down but they both stay in character um and the aid runs off so we moved to the senator's house presumably or some kind of group yeah wherever he's staying maybe it's the office or something um and the two of them are julian and the senator are having a straight up conversation where the senator says i figured out what happened you met us that night at the at the benefit and you saw my wife and you were being investigated for a murder so you decided that you would insert yourself into our relationship and then blackmail her for money and he doesn't say no i met your wife a couple nights earlier right before the murder even happened he just he just says that's not it at all you don't understand what's happening he said look like my wife's stupid but i'm not yeah and how much you never to see her yeah you you don't come anywhere near my wife again and i'm not to pay you any amount of money that you're going to try to blackmail me um but how much money but how much yeah and then he i can just see richard you're almost doing dr evil 5 000 it's like yeah even even in 1980s money five thousand dollars isn't that much he got he was getting three to go out to the ryman that's a thousandth of the budget of this movie you could make 1 000th of this movie for that much money um but yeah so yeah he says stop seeing my wife and uh that's basically the end of their conversation here and then he goes out looking for leon because he says okay my alibi fell apart you need to get me a new alibi but it's there's it's not an alibi tree you can't just go to the alibi store and be like oh i'm just gonna find another person who says that you're with them because the cops aren't gonna buy because you already gave them your alibi and it already fell through but in but in theory like this guy you know should feel some sort of responsibility but he doesn't well he doesn't but and we know why but yeah you know but at this point you know julian's still like hey you know you made me do this you need to help me get out of this the whole point of you being my pimp is you're supposed to find me like a hassle-free way to earn the money that's what you're where your 50 comes from and so if you're not gonna give me an alibi at least give me the other half of the money back because this is not paying off for me um and uh he says well you know i'll work on it it's going to take a couple days to figure something out but i'll try and find an alibi for you but he spots one of the new get the new boys the little blonde uh guy going up the stairs i don't know i think he might even just be credited as like blonde guy yeah um uh but uh he sees him again at his home's parking lot right and now he's suspecting that that there's been stuff planted in his house yeah he starts ripping everything well just before that he he meets up with michelle again even though he was told very specifically to leave michelle alone and to never see her again and he's like hey why don't we go for a jog let's go outside where the senator's aid or camera people might be even though i was told very specifically to stay away from you and they go outside and she says i'm going away i'm leaving the country um because the senator is just sending her out of the country so that this whole murder investigation can finish and she can be kept out of any problems um and that's when he decides like okay this isn't gonna happen again and he goes through the whole house and basically tears it up ten times worse than what the police did before deciding maybe it's not in the house maybe it's in the car and then he goes down to the car and just starts ripping his car apart which i don't understand because doesn't he arrive in his car when he sees the other guy leaving well we don't know exactly when things were planted there okay uh because yeah then he tears his car completely apart yeah he's like ripping the engine head off and then he's like tearing the door open he's even like ripping the plastic seal on the inside of the door it's like isn't the whole point of the seal that you would know right been tampered with i mean i guess you could conceivably replace the seal but then he gets under the car and finds just a bag of jewels taped to the bottom of the car which if the cops found it there they wouldn't be like oh yeah i'm sure he just taped a bag of jewels to the bottom of the car and drove around like that yeah it's very odd like they could very easily just fall off if you hit a speed bump or something i feel like i would have checked there before i started ripping pieces off of the inside of the door i don't know where i would have checked he seems like messed out at this point he probably hasn't slept in like three days and he's kind of going crazy is this the point in which we get the the sitting on the bed putting on or taking off the tie scene like not quite yet okay um or no sorry yeah he rips it he rips his house apart and after he finds the jewels he goes back upstairs and he like sits on the bed like super depressed like taking his tie off you know really slowly but we know that it's really really slowly because the blinds you know are like the light is shifting through the blinds like like time like he's standing there for three hours very slowly putting on a tie so his next stop is to go to anne and say look i'm in a lot of trouble and i can't go to anybody else i need your help i need you to set me up with an alibi because leon's not doing it and she says you stood up my person the big wig the expensive person that was going to come in and speak only swedish she got to the airport she couldn't speak to anybody and everything went wrong but i mean it seems like he legit forgot because he's got all this murder stuff he's like i don't know if you heard what i said i'm being investigated for murder and she's like so you stood me up she's like yeah i could care less about your murder investigation well i mean we're seeing now like he didn't care much about their friendship and now she doesn't care much about his yeah so everyone's cutting them loose yeah so he decides okay well then i'm gonna go back to leon but michelle is there at the restaurant yeah was like wait what is she doing she's just constantly following him in this movie everywhere he goes she's right around the corner and it's not a coincidence because we already know she just follows him on the street yeah because she's the worst spy ever but uh he goes to leon's house and leon's like i still can't help you with your uh your alibi and the blonde kid goes out the door while they're arguing and uh then leon basically admits to everything like yeah no i set you up because i don't like you and uh and you were frameable yeah it needed to happen and i got a lot of money out of it and i'm i don't regret it and there's literally nothing you can do at this point because the cops have you did the rights and you don't have an alibi and he loses it and pushes leon over a balcony he like changes his mind at the last second and tries to grab him but he can't hold on to him and his boots slip through i don't know if he intended to push him over the edge of the balcony i think he intended to attack him and and kind of just fell over the belt and that balcony is not regulation height it was like like a two and a half three foot balcony it was like right up to your hip it was like perfect counter touching someone over yeah his counters are really weird in his apartment everything was weird in the apartment but it was the 80s yeah it looks very like tony montana decorated um but that's the 80s and uh yeah so leon is dead now leon falls from the third or fourth story of this building and just splats on the ground and then richard gere looks down and he sees his car pull out of the parking structure presumably the blonde kid is driving it and uh he just sits down on the couch yeah i'm done just gonna stay here now it's a single jeopardy i've officially committed the murder that i i'm accused of and uh then we just cut to him uh being walked into a courthouse by police he's already been arrested and my other the paparazzi are all over them yeah um i love uh so this was like a like a weird thing did you look up michelle's lawyer um the lawyer uh yes i did actually william dozer yeah i was like oh i was just like looking up random people oh who's this guy like holy crap so he was the executive producer of the adam west batman series okay and the movie but also the narrator that goes meanwhile at the batcave the joker's up to his old tricks will the cave crusader arrive in time next week burgess meredith with a new penguin ploy yeah it's like is such a random cast um but yeah so he's that he's in jail and the cops are like all right we just need more information we need to know what's happening why how is this leon guy involved and why did you bother go to this place and he's just not going to cooperate he's not going to tell them anything and uh and they don't actually care about leon anymore because apparently some someone testified the maid said she saw what happened or something like that and that he was trying to try to save him yeah i was like where was this made was she in was there a maid in the apartment maybe she was in the next building over she saw what happened but yeah but the fact that they're not gonna you know prosecute the the the leon thing you know just like well then you should still keep fighting this like we're not gonna arrest you for the murder that you admitted to we're going to arrest you for the murder that you claim you didn't do yeah because now you have the jewels in your hand yes but yeah so then michelle goes to the police and basically tells them she's the alibi yeah she says he was with me that whole night and uh because she just wants to protect him because she loves him and she goes to speak with him uh in the you know the glass wall which is weird when he goes when he's being interrogated by the police he's he's sitting across like there's a glass window but it's only like two feet tall and everything is completely open on top of it it's like what is the point of this glass yeah is this just a sneeze guard because he could jump over it and attack them if he wanted to well and also like doesn't the cop come to like take him back and and he says no and the cop goes okay it's like what is happening but then when he's actually sitting in like the booth holding up the phone like waiting for his visitor michelle sits down and says hey i told them that you're with me the whole night and i'm prepared to like throw my marriage and my husband's political career under the bus to defend you from this uh murder accusation and he's like oh i'm sorry so that it took me so long to come to you and that's the end of the movie yeah that's very unsettling weird place to end well the whole the whole second half of the third act is nothing but fade outs yeah it just keeps fading out i guess i guess to show the passage of time but it feels very like return of the kingy where you're just like is that is that the no oh is that okay so it's going to end with him sitting on the couch oh no it's not again oh he's getting arrested okay oh wait no there's more okay they're going to another scene and then they end it where it's like wait no that's the end i need more now we need to hear what happened at least put text up you know all the president's men's style and tell me what happened after this richard gere was killed by exiting prison i mean i think though i think the whole their whole relationship is a little odd too because he's supposed to be sort of this like you know really confident you know cocky guy that's why the people that's why his pimps don't like him you know and and then this woman comes along who just seems really desperate clingy needy who's like stalking him and he seems to be really into it for some reason this movie never has like what i would call traditional excitement like the the graph of this is just very slowly inclined and then a very slow decline yeah i was like why isn't like hector elizondo who plays sunday like like i want like this big dramatic scene but there's no yeah i wanted him to be like willem dafoe in just like like reenacting everything and like engaging a whole but every police station full of people everyone is so cordial yeah to him and he's just allowed to roam around and do whatever no matter how much [ __ ] like richard gere throws in his face he's just like ah yeah you're right i do dress stupid i have an ugly face first obviously you're dressed for [ __ ] anybody can fix that no problem it's your face hey and your thanks what's wrong with your body you have back problems you look like on monkeys didn't it which by the way this is like the youngest i've seen hector alexander in anything and he got better looking with age he definitely did yeah although it was funny because when we were watching it i was like i don't know if it's just the gap in the teeth but he looks so much like paul sheer to me like i wanted to play paul shearer's dad in something but i was like he must have gotten his teeth fixed and then we looked up a recent picture it's like no no he still has the gap but he just like has a very polish ear shaped face um but yeah he's great and they are they are in two more movies after this uh pretty woman and runaway bride um hector alexander yeah hector alexander and richard um and he's obviously done a lot of voice acting hector elizondo i i do have to say though because i've you know i've seen those other richard gere movies where he's older and you know i never really understood his appeal and you know now that i've seen this one i'm like oh no he was really attractive richard gere yeah i feel like this is this feels like a david caruso type richer gear like yeah a little bit of an [ __ ] like uh i've never seen richard gere this mean and he's not even that mean in this movie yeah but he's he's never had any kind of attitude and he's never been short with anybody and uh i i liked that though like i thought like i thought that was a great like character choice it's more believable i think yeah um obviously writer director paul schrader we talked about uh in our last episode but he wrote taxi driver and raging bull last temptation bringing out the dead so four scorsese movies on top of other stuff that he's done um richard gere obviously pretty woman somewhere down the line what if that's eight late 80s early 90s for pretty woman yeah uh that has to be 90s right or maybe 89 at the most obviously chicago and apparently he was in a remake of breathless i didn't realize that 1990 for pretty wound 1990 okay so we're in the middle well don't forget that and i i i i really enjoy the mothman prophecies oh yeah that's good the movie's pretty weird i like will patton in that movie he's such a weird crazy old man character actor um bill duke who plays leon predator yeah from a predator we had to bring up his role in predator i mean that's just the the anytime yeah what do you see mack uh i think he's i think he's mac yeah um and uh yeah so he's great he's a character actor like we were just talking about the x-men movies pretty recently and like he played bolivar trask in x3 but then later yeah in x5 if you want to call days of future past x5 peter dinklage like in the same continuity yeah playing this like six foot two black guy is being played by a white dwarf star because he is a star yeah but he hasn't shown up yet in the mcu i don't think they've even mentioned trask in the mcu that won't be until the interviews introduce the mutants probably um but yeah he's great it always reminds me of um that carl weathers bit on saturday night live when he's like after the successful governor campaigns of arnold schwarzenegger and jesse the body ventura i've decided that i am also running for office who am i you ask i'm the black guy from predator now i know what you're thinking wasn't danny glover the black guy for predator no that was predator 2. [Laughter] but uh he's not the only black guy from predator because bill duke said that building's also a predator and just that the whole thing got built he's so great when he's like shaving himself dry he's digging the razor into his face yeah it's like man this guy's great uh michelle in this film is played by lauren hutton who i didn't really recognize um but she was aggie maybank and gator which is that uh the burt reynolds movie the night people watch the gator and white lightning double feature and uh she also plays the countess and once bitten yeah which is a weird movie for me i remember like after what was it 94 when jim carrey just exploded yeah i was like okay i have to look up everything this guy's done like i was already a living color fan but i was like i need to watch every movie that he's ever done and wants bitten is just one of the weird ones yeah um but she's great in that and she's basically playing like just a supermodel type vampire woman yeah um uh nina van pallett who plays anne the the pimp is uh i she's eileen wade in the long goodbye which is one of my favorite movies of all time um and she also has a soundtrack credit on on her majesty secret service really um i'm not clear on what she did for the soundtrack but i thought that was interesting um lisa which character is lisa lisa lisa lisa williams yeah uh she was one of uh one of the clients that he goes to see lisa williams is [Music] maybe it was one of the other girls at the at the house maybe it was someone else at the house because um i don't think i think we've mentioned all the last names of the older women that he had as clients i'm not sure yeah i don't remember who lisa williams was on this but apparently she was martha kent on the adventures of lois and clark and uh she's also in ryan johnson's new murder mystery movie knives out yeah so that's cool um and francis bergen obviously is candace's mother and she's famous for appearing in season one episode nine slow death of macgyver yeah everyone's favorite series totally famous for that i think that was nine i don't remember the number nine slow death that but that's the train one right right hey you'll only be a hindrance she was like this woman's mom and she was really mean and we're going to go on a lot of mcgregor tangents over the course of this podcast because we've watched every episode of that for a previous podcast um one of my big things was about this movie was i really thought that i hated the soundtrack yeah but then i loved the soundtrack i like this soundtrack is amazing 80 cent and i couldn't like i was like can i get this on vinyl is this possible because uh i really enjoyed it i also couldn't help but sing the lyrics everything well let's just say they only played the actual song itself right at the beginning otherwise it was just like mixed instrumental yeah it was instrumental in the score and stuff like that and they buried it depending on the mood of the cd slowed it down yeah but but you know but this was the composer who did flash dance and top gun yeah giorgio moroder you've got tons of music credits only because like take my breath away uh in the never ending story theme and like like all these songs that are just reused over and over and over yeah um i feel like if it had stuck it out and finished the murder investigation that i probably would have enjoyed it more it was it wasn't even that long a movie it was very slow but it was only an hour and a half and if i feel like they could have put another 15 20 minutes to wrap up the story yeah i agree gone a long way you could even have trimmed a little bit of the o of the lead up just to get that ending bit in there i'm thinking of other schrader movies even like taxi driver and uh and raging bull both of them like cover what happened to the people after the climax of the movies so it just it feels like out of character for him to leave it off here unless that wasn't his decision in the past yeah i'm assuming like the big climax of this movie is leon dying i mean i guess yeah and and everything but everything after that is just these slow quiet he doesn't want to talk he doesn't even get to see mrs ryman murdered that has to happen off-screen i kept thinking that the twist was going to be that he did murder her yeah when the woman's husband like is like i was here with her the whole night and then he's like oh wednesday like that i did murder that one uh because he does drugs a couple of times right and he seems very erratic for the second half of this movie i thought like it's possible he literally like blocked it completely or even that he just did it and he wanted to convince people with his performance and it turns out we're just watching a sociopath yeah um but that's not where the film goes all of those things would have made this a more interesting movie yeah but it it plays out a little bit more straightforward like um a little bit closer to a real life situation than what we would have wanted um how do you think this is aged honestly i i think that it ages fine as far as just like filmmaking and and what have you like i don't i don't feel like oh boy you can't say that now like i don't feel like anything if anything it feels like a very progressive movie yeah yeah i agree it talks about the gay community it talks about him struggling with being formerly homosexual or maybe he never was or was he or is he still now we're not really sure where he swings on that like he's struggling with it twenty dollars is twenty dollars yeah exactly uh but so i think it i think it brings up a lot of interesting ideas that were probably very taboo in the 80s and maybe a little bit easier to swallow nowadays there's there's multiple voices where in interviews when asked what drew him to the role he specifically said the the homosexual undertones interested him because he'd never done anything like that before and he never like he didn't really know a lot about it so that was apparently what drew him to the to the part that i think might have actually driven travolta away from the parts yeah that makes sense when you're reading off those people i was just like i don't really see them being opposed to it but at the same time i don't really see them being as comfortable like yeah and i know travolta like had stuff like that later in his career but i think at the time he was coming off of you know saturday night fever and grease and everything and he was like a massive sex symbol and maybe he thought that this would like change his reputation um but yeah and i think uh in terms of what we've had so far in 1980 that the cinematography here is probably the best that we've had in anything yeah i'll go with that just really interesting lighting so what do we think of this movie is this worth uh worth watching i i don't think i'd bother actually i don't think so either actually yeah yeah uh i'm on the fence but i think i'm gonna have to give that a no yeah as much as it did for richard gere uh in his career of the gear and schroeder's great but this isn't this isn't his best work so yeah i don't i don't think it's necessary viewing i think this podcast has enough information for you just listen to our podcast don't watch movies yeah no no who needs movies just listen to us you can't watch movies on the freeway yet as soon as they start those autonomous vehicles oh no we have to sabotage self-driving cars so that people will listen to us i'm going to sell all my tesla stock right now you should too listeners um letterboxed where do you think jess where does this go on your list uh i think i'm gonna put it second i'm gonna put it after my brilliant career but ahead of simon uh i have to agree so our list will continue to be identical okay well i'm gonna veer off the path here again i'm gonna actually put it one step down just under simon but above uh to all a good night because uh i enjoyed more of simon than i enjoyed of this movie but i didn't hate this movie but i i feel like a lot of these are going to be we're going to be steadily like putting things under things because most of the movies that are on our bottom are going to stay there yeah that's probably true i i think that there will be some movies that make like it might squeeze in around around them but i think most things are going to be above our bottom three yeah yeah but that's also because we are obviously as any year does starting in january where everything gets dumped that yeah either wasn't worthwhile for awards season or that they couldn't find a solid place for and didn't belong in the summer so that's why we have kind of a slog ahead of us at the beginning of the year getting into the summer season and then we'll have like 20 blockbusters in a row and then it's slow again for a while and then we have awards season and then we're back in january um but yeah we should we should have started our year in the summer well didn't it used to didn't used to start in our should have started it at the fiscal year uh but i think that's it for this one uh if you have any thoughts you'd like to share with us we are vintagevideopod on twitter facebook instagram and letterboxed or as i've said before you can find each of our full movie rankings for the year uh please consider rating us on itunes to help people find the show and if you find the time to leave us a review we will thank you personally in an upcoming episode and if you're feeling especially generous you can support the show through patreon at patreon.com vintagevideopodcast thank you so much for listening and i hope you'll join us next time when we will be discussing john carpenter's the fog which wikipedia describes as a supernatural horror film directed by john carpenter who also co-wrote the screenplay and created the music for the film it stars adrian barbeau jamie lee curtis tom atkins janet lee and hal holbrook we leave you now with the audio to the trailer for john carpenter's the fog john carpenters the fog [Music] this is k.b antonio bay stevie wayne here and let me be the first to wish antonio bay a happy birthday we're 100 years old today and keep a watch out for that fog bag heading in from the east one hundred years ago between midnight and one something unknown came out of the fog now it has returned oh jesus [Music] one hundred years ago between midnight and one something unnatural came out of the fog now it has returned [Music] 100 years ago between midnight and one something evil came out of the fog now it has returned [Music] the fog antonio bay has a curse on it we're all cursed there's no water got in here but something off a coal pin i think i'll go to vancouver now [Music] where's the fog now it should be right outside my door now oh there's something different about this fog damn stay away from the door someone listen to me [Music] get inside and lock your doors close your windows [Music] there's something in the fog [Music] stay away from the fog [Music] from the creator of halloween the ultimate experience in terror and suspense john carpenter's the fog starring adrian barbeau jamie lee curtis john houseman janet lee as kathy williams and hal holbrook as father malone the fog what you can't see won't hurt you it will kill you between midnight and one it will find you