we're on a mission from god

wendy so i got that going darling

i picked the wrong way to quit sniffing

blue light of my life

we enjoy your films

i thought they smelled bad on the

outside

[Music]

welcome to vintage video where we're

re-watching the 80s so you don't have to

we'll be reviewing every major film

release of the 1980s in real time i'm

patrick o'reilly i'm jessie bayless and

i'm richard wells and today marks the

40th anniversary of the release of

effects

on june 1st 1980 it was written and

directed by dusty nelson

based on the novel snuff by william h

mooney and released by

synapse films all right there was a big

old question mark there after

40. i would like to issue a formal

apology to the two of you

because we're all busy people

we don't have a lot of time to do

research and i made this list

and this movie was shot in 1979 and it

played at sundance in 1980

while it did technically screen in june

of 1980 at the sundance film festival

which at the time was known as the u.s

film festival it never got a release

theatrical or television

or home video until synapse released the

film on dvd in 2005.

i watched this movie for no reason we we

should have skipped this one and i

apologize

but it was made at the time it could

very easily have been

distributed it came very close to a

distribution deal could it very easily

have been good but it wasn't

there were there were filmmakers and

there was a distribution deal in place

and they backed out of it at the last

second probably because of the context i

don't blame them

wow but i just want to

like as a preliminary i'm also

apologizing to the audience because

there are movies we're not going to get

to this year

and we got to this one and uh and i feel

bad because this didn't get a proper

release and there are movies that did

that we're not going to cover this year

because i'm forgetting them

but we can't put any more on the list we

already have too many movies

we start the film with various shots of

music and picture editing equipment

and close-ups of mustachioed faces with

headset microphones

close to their mouths we see a girl in a

shower lathering

up shaving and drying herself

she steps out of the shower and she

lights a cigarette with an

extremely tall lighter she she lights it

and the flame is like four inches tall

and she is startled by a vision of a guy

behind her

popping out from behind a shower curtain

waving a razor around

and very loud discordant music drowns

out all the dialogue between her and

this character

but then she goes and looks behind the

curtain again

after this weird conversation that she

had and there's nobody there

and then we see a director say cut and

it turns out this was a surreal scene

from a horror movie

even though we were seeing it edited

yeah

even or somehow we're watching it edited

even though

it's supposed to be happening while

we're watching it right well that seems

to be a theme in this movie

yeah we don't actually correctly film

movies the way they're supposed to be

filmed

i don't know that that's i i think for a

low budget horror movie

in the 70s this might be how horror

movies were made at the time

i'm just saying like they make they make

this

actress go through a lot of things that

would definitely be multiple shots

and the way they showed it to us it was

multiple shots but then the way they

like

tell her okay now in this scene you're

gonna do this this this this this this

and this

yeah pretty good that's not all gonna be

one shot but

also i feel they do this fake out

with the horror scenes and the real

scenes like too many times

with and to to know

to no twist like it's never

this time it's real it's i don't think

it's supposed to be setting up a twist i

think it's supposed to be setting up the

mood where you're just

constantly questioning everything that's

happening is this real but i'm not part

of the scene i'm not i never question it

beyond that first scene once i realized

that they're filming a movie i never

assumed everything was just a movie

scene yes okay with with this couple

i did not so that's the difference

between you and i

that's a wrap for the day tune in next

week we're going to be covering oh thank

god

that's a wrap for the day the cameraman

is unloading a mag

in a black bag he labels the can and

then he asks if the actors are actually

married

and someone answers for now they are how

because to add to the confusion and so

that we're not

we're not hinted right away whether

something is real or not

we learn that the actor and actress

playing the husband and wife in this

movie are husband and wife in real life

to make sure that we're constantly

confused the director sits in his cabin

and he lifts a mirror off of the wall to

reveal a giant camera

yeah i i was like oh there's gonna be a

camera behind this mirror it's like oh

it's a gigantic television camera yeah

huge i i was like i was expecting even

like a lens the size of like

a soda can diameter like just a small

hidden well why why be chintzy if you

can't see this whole

area behind the yeah the mirror anyway

this is a

studio level that's practically imax

yeah lens the size of your head yeah

this is you need uh

nasa's zeiss lens from barry linden you

can get

absolute no lighting you can still get a

decent picture with it

we shoot another scene with the actor

couple and the woman is having visions

of the man holding

a knife at the breakfast table and then

getting shot in the head

and blood spurting out over the table

we cut to the actress performing a

monologue in front of the camera mirror

this is a monologue from shakespeare's

richard ii yeah i

i was like i'm gonna look this up i'm

gonna listen to what she's saying

you're gonna do google search based on

the on the on the text that she's saying

i'm gonna figure out what

what monologue from what shakespeare

play this is i go to imdb

it's like the third piece of trivia god

damn it there it is

look at all that effort i put in we cut

to a bar

where the camera guy his name is dominic

although i don't remember anyone saying

his name in the movie but his name is

dominic

in the credits he's hitting on the girl

who was performing shakespeare in front

of the mirror

this is the gaffer for the film she's

not an actress in the film

although she would like to be she's an

actress in the film that we're watching

but not the film that they're making not

in the film within a film don't make it

it's more confusing than it is she

actually kind of is an actress in the

film within a film

um but we don't know that yet so scratch

that

the camera guy admits that he's never

worked with a female gaffer in the

background we see tom zavini wearing

a weird like rainbow umbrella hat yeah

it reminds me of when beetlejuice comes

up out of the model

and he's got like the carousel of like

of things on his head

he wanders into the middle of their

conversation and as far as we know he is

not a part of the crew of this film he's

just

a person at a bar that they went to and

he's getting in between them and he's

like

swinging his umbrella hat in both of

their faces and annoying them

and eventually dominic

uh yells at him enough that he stands up

and punches dominic in the face

and then the girl celeste the gaffer for

this movie

kicks him in the balls and the two of

them leave the bar we

get this really close-up insert shot of

a razor blade being dragged along the

edge of a foot

i think in the insert it's a real foot

and the blade has fake blood smeared on

it and so it's like a dull blade that's

just wiping blood on a foot

but then we cut to a wider shot to show

that it's a dummy leg

and they're actually slashing it open

um because it's full of blood right it

actually has like

an arterial spray built into it the

director wants it to spurt more

but for some reason his whole vfx team

is telling him no

that's not the way it would look and he

says you don't care how it would look

this is what i wanted to do in in the

movie that we're making

aka his whole vfx team being the

cameraman and the gaffer

yes yes the whole vfx but it's just

weird that they're telling him no

when it's like i didn't ask yes or no

questions i just said make it do this

but it seems like she's just mad that

she's not in the movie

and she turns to walk away from them the

camera guy offers to get the director a

burger in town

and the director also just walks away

from him we see a girl getting dressed

in a room

and she reaches into a hamper which she

is very nearly swallowed by

whole the camera is shaking and we're

getting loud music and craziness

um but of course this is part of the

movie this was just confusing to me

because like i realized

that this was supposed to be part of the

movie within a movie

but what exactly was supposed to be

happening here because i don't

understand this movie within this movie

because i thought it was like this

psychological

you know thriller type movie where this

guy isn't who

she thinks he is is he hiding very

tiny in this hamper and pulling her in

what is happening

well it gets more confusing later when

the husband who she's been having only

visions of being dead

becomes a zombie but is like completely

rational and talking to her

yeah and then just gets in an argument

with her well that's not part of the

movie within the movie though

i don't think it is no no okay that was

that was an actual scene

the next morning the guy from the bar

played by tom cevini is meeting with the

director around the breakfast table

and they're discussing future scenes

from the production so it turns out he

is actually working on the movie

he tells savini not to talk about the

big chase scene around the rest of the

crew

hey listen when you come over here next

week i don't want you getting all coked

up and talking about the chase the chase

huh

hey i'm cool i'm cool i'm cool yeah well

if you're so cool how about cooling off

my nose then

we cut to the lead actor barney waking

up at night

he walks around the cabin he steps

outside he doesn't see anything so he

goes to grab a gun because he's hearing

weird sounds and he's getting paranoid

suddenly his wife is there and she asks

what he's doing and we don't know if

this is in the scene or in the movie

because

i do they're married no we don't i said

cause i am choosing to abide by the

rules of the film

which is that i don't know yet turns out

that this is real

oh yeah no it's not it's part of the

movie it's part of the movie

it's always part of the movie when it's

them yeah

so uh we have the camera guy doing a

lighting test

outside the door and uh he's flirting

with celeste again

we cut to later that night where he's

waking up to loud music playing

and he comes downstairs to see uh what

the loud music is and it's rita

the actress from the film dancing for

the director

while her husband just takes pictures of

her

yeah the director's doing lines of coke

while her husband is just taking

pictures of her kind of

lazily strip dancing in front of them we

cut to

a room full of editors watching the

dancing on like a whole control room bay

of monitors yeah so now we got like a

cabin in the woods thing going on

yeah it kind of is a cabin in the woods

the camera guy is trying to teach

celeste how to fish

and she actually catches something which

he then smashes on a rock because that's

the the easiest way to kill the fish

someone from the woods is watching

through a blue filter

which over the course of the film will

realize is it is the camera

pov we see the director playing with a

simon says when he's called to set

and he's like i'll be right down he has

to finish this pattern

we're ready okay i'll be right there

sabine tries to apologize to celeste and

dominic is watching them from near a

campfire

she says that she isn't she's not going

to accept his apology and she doesn't

want to talk to him she walks away

dominic follows her into the house and

they move up to the room where

there's that big camera right behind the

mirror which she knows about

right she knows about but he does not

well we don't know that she knows

we know that she was performing for it

earlier yeah she was doing that

shakespeare play and then she looked

into it and says

send that to lacey so she she's in on it

everybody's in on it except for

this guy well i knew that by the end but

i didn't realize we knew that at this

point

yeah so the two of them go up there and

they have sex in front of this camera

and so the room full of editors is now

watching the two of them have sex

and lisa's still directing yeah lacie is

directing as the scene is going on so

he's like move up to their faces

i'll get more of their legs and like

telling them to move the cameras all

over the place they're complimenting the

microphones on the room

because they seem to have a pretty

decent budget for this kind of stuff you

can hear

suction yeah this is great dominic is

talking with the rest of the crew in the

basement that night about what's

trending in horror films

he thinks that realism is what gets

people to buy tickets it's at least what

he seems to connect with when he sees a

movie that

if there's not something that feels

authentic

then it's not scary to him they point

out

you know exorcist and uh night of living

dead as like

things that were gave them nightmares as

children and and he's talking about as

an adult

something that's scary they invite him

to do a line of cocaine

and he takes them up on it right away

they talk to him about how

hot and talented celeste is

and the director says she'll be very

good in the film and then he says she's

not in the film and he says

right must be better coke than i thought

oh yeah you're right she's not in the

film how silly of me

but she is in the film they're all on

the film

the director strings up a snuff film for

the guys to watch

and i'm not going to describe this in

any particular detail but it's a snuff

film

that means it's a film where a person

was probably actually killed

to make a piece of uh violent

pornography

is that the definition of a snuff film

basically yeah

if we're following eight millimeter

rules yeah

it's it's a film where someone is

snuffed out it's a film where a person

is actually killed

okay or an animal can be killed

sometimes

they argue over whether or not it's real

for a while the director says

that it's impossible to know because he

got it from a guy who got it from a guy

but as dominic gets more and more upset

he finally admits

that he made it as a student and that

the girl was not harmed

and he says well you should have got the

guy who did that those visual effects to

do

your effects in this movie he says that

guy died in a motorcycle accident so

he was not available one of the guys

sitting there keeps asking to see it

again

like he's joking around like oh well i

think we should watch it again just you

know to be sure

because he's just an insane pervert my

pants come off

later the the actress rita is

complaining to the director that she

feels

a lot of pressure working on the movie

and sometimes she thinks that barney her

husband

and acting partner is really coming at

her with this razor

the director offers her sex to make her

feel better

and she turns him down but thanks him

it's a

weird scene dominic finds a stack of

polaroids in his cabin

and he's flipping through them seeing a

woman get tied to a chair

in the same manner as in the snuff film

and

barney sneaks up behind him and

surprises him which freaks him out the

director

is blocking a handheld chase scene up a

narrow stairway in one of the cabins

that the plan is that the actress will

be chased up the stairs shouting please

don't kill me

and then at the top she will push barney

down the steps and get a gun

out of the closet at the top of the

stairs dominic suggests that

he and celeste just run away together

because this movie is

driving everyone crazy and suddenly

barney busts in

and he's wearing like this white zombie

makeup

and he's got a pig head on a knife and

he uses the razor that he's been waving

around

to slice off the pig's nose and then it

falls on the ground

and celeste picks it up and rubs it in

his face because she's angry at him and

she's trying to kind of push him out the

door

and when she gets him out the door you

see her like stop for a second and look

at the carpet to like scoot the pig nose

out of the door too

the director wakes up dominic early the

next morning and he says hey

i need you to go out with savini and

this other guy and you're going to get

some second unit footage of the

wilderness

because this movie's about possession

and i want people to feel like the

wilderness is possessed so go get some

spooky footage

so the guys go out into the woods and uh

you've just pointed out when they're

watching it that they get out of the car

and just start walking down the hill

with no camera or any equipment or

anything

i mean maybe they're just looking for a

spot to shoot from but they were

yeah they were they definitely got a

shot

but uh savini is carrying a shotgun as

they walk down

and uh all of a sudden the guy that's

walking alongside dominic

bolts off to the side and savini behind

him shoots him in the foot

and dominic starts running full speed

down this hill to get away

and he collapses on this like leafy hill

around a corner

and he pulls off his shoe to inspect his

foot and the heel is like completely

blown open

yeah so he takes the sock off his other

foot and puts it over the bad one

and uh puts both his shoes on and

continues crawling away

uh we get this blue filtered camera

again with radio chatter

implying that the the whole editorial

team is watching this chase as it goes

and then we see the director sitting

down and in the control room he says we

got lucky

and you hear celeste say he wasn't

supposed to get hurt so

here we're learning that the entire

thing is like a the game level

prank on this one guy who is the main

character of the movie and doesn't know

it

the camera is following dominic in a

wide shot as he moves into a nearby

house

which is supposed to be patrolled by a

guy with a gun

to prevent anything terrible from

happening but the guy

has stepped out of the cabin and so

uh dominic goes inside and he hides in a

closet like i'm confused as to what was

supposed to have happened with this

scene

like i realized that like they're

tricking him to get this realistic movie

made

yeah but they were just supposed to what

scare him with the shotgun

and he was going to run away and do like

was supposed to go to this house

maybe i i think the director was going

to kind of let it go

yeah because they're they're filming all

of this yeah everything

you have to assume that everything is

being filmed yeah it's kind of the same

as the sex scene where it's just kind of

like a

hey we kind of urged this thing to

happen and we're just gonna

follow it and see where it goes and

that'll be the story yeah but celeste

does say something

like this wasn't in the script right but

they're not filming that

i i guess but that implies that there

was a script

to be followed for her well and well and

a general idea of

what this guy is probably going to do so

i just don't know what they

thought was gonna happen i think that

they they only

knew what was going to happen up to a

certain point and then they were going

to have to improvise

moving forward from that point but i i

think at the end of this film the

director is 100 satisfied with what he

got

but so the uh he sneaks into this house

uh dominic's hiding in a closet when the

guy who's supposed to be on patrol here

comes back into the house leans his

shotgun against the wall

walks outside for a second and dominic

gets a hold of the fire poker

so when the guy comes back in to grab

his gun he just

bashes the guy's brains in on the floor

i would have grabbed the gun

yes that's what i was thinking he ought

to do but uh

it wouldn't have done you much good

because this gun was not loaded at the

time

but uh he grabs the the fire poker and

beats the guy's head in on the floor and

then he throws up because it's

disgusting and he's a normal person who

doesn't have to bash people's brains in

often

then he takes the shotgun and loads it

and he starts crawling until he

collapses on another hilltop in the

wilderness

back at the house barney is chasing the

actress up the stairs as they blocked

earlier

but she's calling him barney which is

his real name

because maybe he's actually killing her

who knows

it's not clear at the top of the stairs

she shoots him as they planned in their

blocking session

and dominic wakes up next to a blue

lighting kit on a hill

i like that where he's like well we want

this to feel

very realistic but also like i can't see

anything so just go put a light next to

his body while he's bleeding out on the

hill

so he gets up and he starts heading down

to the house with his loaded shotgun

dom enters the house just as uh celeste

and the director are having an argument

presumably about whether or not

she can act or be in this movie and

she shoots him at once in the chest and

then once in the face

and she turns and trains the gun on dom

and says

he killed we didn't barney but she

doesn't shoot

dominic no and then we hear a honking

outside which indicates an incoming

emergency

we have uh savini is driving his

truck back to the house because he's

trying to warn them hey we just found

this other guy's body

um and uh this guy doesn't know it's a

movie and he's gonna kill everybody

and they run into the house right as uh

dom and celeste are coming out a

different exit

so then when savini comes back out the

front door to beat him up

he just fires the shotgun into savini's

chest and blows him back through the

doorway

and then celeste is completely in shock

here and she's like you really killed

him

and he says he would have killed me and

they get into the car to drive away

and she says this is a movie you weren't

supposed to he

this is not in the script and then he

says what the hell are you talking about

and then the car explodes like halfway

down

killing celeste and dominic and then in

the blue filter

from upstairs in the cabin we're looking

down at the director in the front yard

wiping off

blood makeup and he looks up and he says

did you get it

and then we cut to a movie marquee that

says

lacey bickle's duped the snuff movie

and then we fade to black and we get our

credits

but yeah i think uh that he

kind of had the same thought that

dominic did which is that the

what was happening needed to be

authentic

and so he made a feature-length snuff

movie

where the characters are actually being

killed on screen well

but he had that in mind all along right

like it wasn't dominic that gave him the

idea

no but i i just think they were on the

same page in terms of it needs to be

authentic for me to care about it

which is why he put that snuff film on

for them in the first place is because

the whole point of those films is that

it needs to be authentic

wouldn't it be a really bad idea for you

to advertise your

movie as a snuff movie because that

would be illegal

i guess you'd have to prove yeah the

burden of evidence is on the person

pushing charges although these people

have disappeared

right but people disappear all the time

the ones that you just

look like you actually killed in your

movie yeah appear all the time

i i think that you if someone disappears

and you're like

well that person was in a movie right

maybe the filmmaker killed him

like i would that wouldn't be my first

assumption no but maybe they actually

died in the movie

if i watched a movie and it looked like

somebody authentically got killed and

i'd be like what happened to that person

did

is this like an actual murder and

they're like well they disappeared we

never heard from them again but no

they definitely weren't murdered in this

movie if special effects

even if someone told me that i would

think oh that's just the marketing

campaign

that's just them trying to sell me that

this person was actually like the blair

witch kids

oh they're all dead that's weird because

they were on jay leno yesterday talking

about the movie

but yeah no i i think uh although in

real life

filmmakers have been hauled into court

and had to prove that they didn't kill

the actors that were in their film

cannibal holocaust comes to mind that

was a situation where

the death scene was so authentic that

they were like prove to me that you

didn't kill this person and he had to

like buy her a plane ticket to come to

court

but yeah i think the point of the movie

for him was just

i just want to finish this movie and i

think it'll feel very real if i'm

actually killing the people

and honestly i think anything that

happens after the movie comes out he

cares less about

he cares more about people seeing this

movie and becoming a

becoming a cult icon because he actually

killed people for a movie

i don't think he would be that upset if

it did get out the writer director here

was dusty nelson

who also directed white phantom

necromancer

inferno and a handful of mr rogers

episodes

those very disturbing ones yes remember

the one word enough roger shoes

he just slowly crushes a puppet under

his foot

where he has like the the he does like

that great famous dilemma where you have

three people on a train track and one

person on a train track but it's the

puppets

yeah or the one where when he takes off

his jacket the vest is made of human

skin

um joseph pilato was dominic here

he played dean martin at jackrabbit

slims in pulp fiction

he's also rhodes in romero's day of the

dead

and a cop and dawn of the dead uh john

harrison was lacey bickel the director

here

um we're filled with tran channeling

like a dan aykroyd

yeah he felt dan aykroyd here he also

felt um

like someone trying to be orson wellesey

um but uh he wrote that disney dinosaur

movie the cgi dinosaur movie

we're back no no no it's called dinosaur

oh

it's called walt disney sorry that

wasn't the disney movie i realized yeah

was it ultimate

we're back no spielberg we're back with

spielberg but but yeah

dinosaur was that movie where they

filmed actual locations

and then inserted the cg stuff oh yes

oh yes he also directed a dune mini

series in 2000 starring william hurt i

remember that

he directed a couple creep shows from

nicotero's reboot not from the original

series

he directed two episodes of leverage

from your seasons my seasons yeah yeah

from season five right

yeah yeah he did two in your season yeah

two

two from your season i think he did five

total but two from season five

he also did two tales from the crypts um

he did

one called the pit which i don't

remember the one called the pendulum

no the pit is one about like uh

underground fighting ring but uh he did

one called easel kilia

which is tim roth is like a painter who

like paints like a grisly murder

and people like it so much but he has to

keep killing people to inspire new

paintings or something like that

but uh that's a good one and the the

john harrison the director character

here also composed the music for this

film

he also did the music for day of the

dead and both of the

uh original creep show features bernard

mckenna

played barney here he wrote yellowbeard

with graham chapman and peter cook

yeah he also played parvis

official stoner's helper and giggling

guard

in life of brian and tom savini

is nikki here he's obviously a master of

horror effects we saw his work earlier

this year on friday the 13th

he probably did the effects for this

movie as well he did i'm sure

and uh he obviously had an earlier role

in dawn of the dead on both sides of the

camera where he did

visual effects for all the crazy zombie

blood and gore

and uh he played like the leader of the

biker the biker gang that

rides through the mall in the middle of

the movie uh jess this is an upper down

for you

this is about as down as you can get

richard yeah it's a down um

i think that instead of watching effects

you should watch the movie effects or

the channel

uh no the 1986 fx movie

or fx2 no no fx 1 is

all you need to watch okay or fxx

that's the 10th movie in the franchise

spun off into a whole channel

um i'm gonna give this an up

what i am really yeah i thought it was

interesting

oh man so i'm sorry guys

i like this one i like the the gore and

i liked

i thought it was interesting the whole

guy doesn't know that he's in a movie

within a movie

subplot but it was so important like i

think that that in and of itself is a

neat idea

it was so poorly done i disagree

i i i felt it was confusing throughout

and in addition to being confusing

when it wasn't confusing it was just

bad i disagree

i i felt like it was doing what truman

show was doing

um but it was doing it in this era of

like burgeoning gore

visual effects where a person's murder

could be

conceivably confused for a really good

makeup job

and like this was right at the beginning

in the in human history of when that was

possible

to convincingly fake a murder or

actually

kill someone and blame it on visual

effects i feel like this was the right

time for this movie to come out it's a

shame that it took until 2005 to come

out

but i thought it was pretty intriguing i

thought it was smart

and i like the performances all around

so i'm sorry guys letterboxed what are

we thinking

so i'm i'm putting this pretty darn low

on the list

right now it's in my let's see one two

three four five

it is ninth from last place it is right

between

the privatize and cereal for me

uh i don't have it that far down but i

have it pretty low

um i'm actually gonna put this uh

between just tell me what you want and

stunt rock

okay i am going to put this

above heartbeat and just below don't go

in the house

so that's not like super high on my list

it's uh that's in the middle of the road

it's right in the middle

i think that's everything for this one

if you guys have any thoughts you'd like

to share on

effects even though it's technically a

2005

film we are vintage video pod on twitter

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as i've said before you can find each of

our full movie rankings for the year

we can also be found at

vintagevideopodcast.com

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vintage video podcast and on that note

i'd like to offer a special shout out to

our newest five dollar patreon

subscriber steven sperling

i chat with stephen a lot on twitter and

we thank him for his contribution to the

program

because this is our first episode of the

month again i wanted to remind our

listeners about our patreon campaign

for anyone who hasn't had time to check

it out we have a couple of tiers

vintage video will always be free to

listen to but if it's worth it to you a

donation as small as a buck a month is

greatly appreciated

we are into june now we've been doing

the show for five months and this is our

54th episode

we're averaging close to 11 titles a

month and expect to cover about 14 a

month on average over the course of the

year

which means at the buck a month tier

you're donating about seven or eight

cents per episode

we also offer a five dollar tier which

is 36 cents per film

and includes a shout out on the show

with a monthly exclusive episode

reviewing a title from the 70s and a

hand in choosing each month's film

we've recorded six of our seventies

episodes so far and for

july the second tier members are

choosing between three titles

they call me mr tibbs the second

installment in the

in the heat of the night trilogy

starring sidney poitier

as virgil tibbs detective in the san

francisco police department

joe a drama from john g avelson director

of rocky

about an unlikely duo of hippie-hating

maniacs starring peter boyle as the

titular joe

and susan sarandon in her feature film

debut and where's papa

a black comedy from director carl reiner

exploring the bizarre relationship

between a mother

ruth gordon and her son george seagal

each of which will celebrate their 50th

anniversaries this july

if this sounds like something you'd be

interested in you can find our campaign

at patreon.com

vintage video podcast and if not i hope

you'll at least do us the honor of

continuing to listen

thanks again and i hope you'll join us

next time when we'll be discussing the

mountain men

which imdb summarizes like so a pair of

grizzled frontiersmen fight indians

guzzle liquor and steal squaws in their

search for the legendary valley

so full of beavers that they jump right

into your traps in this fanciful

adventure

we leave you now with the trailer for

the mountain men

charlton heston brian keith god mountain

men

the west wouldn't have been the same

without them

[Applause]

[Music]

they had their share of danger

[Music]

they had their share of women

right you're gonna keep her running moon

why don't you go home

i go with you reckon i got any choice

he opens the path for others but he will

not have her

or one more thing belonging to my people

alone they were explosive together

[Applause]

dynamite

[Applause]

the mountain men the wilder the country

the wilder the men

you